View TAARKA's EPK/


Download Press Clippings

Photo by Anne Dickinson Hayunga

Please use this photo for all publicity.

 The word about Taarka, abroad and at home

Reviews of the new album are starting to come in!

Westword, in Denver, CO, says it's "jaunty and precise, yet beguilingly enigmatic." Cool! Read the whole thing here.

The Willamette Week in Portland has this to say.

Here's what Jambase writer Dennis Cook thinks of the new album.

EVEN ODD BIRD #4 IN TOP FIVE ALBUMS OF 2005 FROM FNNATION.COM (FRANCE)

A TRANSLATION OF AN ARTICLE FROM THE POLISH FOLK JOURNAL FOLKOWA (Provided by Meier Pelta)

“Fans of David Grisman or early Bela Fleck should love this second release from Taarka… This CD covers all bases for the jazzgrass, folk, or new acoustic fan, and should appeal to all those who appreciate joyful musical diversity, sweet melodies, and solid musicianship.”

 Susan J. Weiland, Jambase.com, Published Apr. 6, 2004, from Taarka: Even Odd Bird feature,  Review of Even Odd Bird (2004)

“Tiller and Pelta compliment each other as well, each providing nice backgrounds to the other’s solos. Pelta is perhaps the crown jewel of Taarka, as her playing is virtuosity in action. She can play absolutely haunting melodies, but also can rain pure bliss on audiences. Tiller uses his mandolin more as a classical instrument than a bluegrass one . While he can get down home at times, it seems Tiller approaches his instrument more as an entity with a mind of its own, and thus he does not fall prey to too many influences other than his own unique vision. Tiller’s mandolin style is one of the most original I’ve heard.”

Matt Zeigler, Flagstaff Live (Flagstaff, AZ), Published Oct. 21, 2002, from Taarka Grooves: Take a trip through world music feature article

 

“[Taarka’s] performance was a high-energy romp filled with jubilant peaks and breath-catching valleys, sudden impeccably calculated tempo changes, crescendos and mysterious explorations”

Maurice S. Teilman, Synthesis (Chico, CA), Published Nov. 18, 2002, from Music section, Review of Nov. 12, 2002 performance

“Taarka – acoustic, classic, intelligent and funky as the proverbial motherfucker…an ensemble of classical, jazz, and folk musicians who use their skills and healthy dose of creativity to create music unlike anything you’ve ever heard.”

James Barone, Synthesis (Chico, CA), Published Nov. 11, 2002, from The Goods teaser for Taarka feature and interview

 

“Taarka is the name of one of acoustic music’s hottest up-and-coming bands. Taarka might be best described as an acoustic supergroup….imagine Django Reinhardt playing with David Grisman. Taarka trods the back alleyways of gypsy music and twirls through fields of bluegrass, all the while swinging like the hippest of jazz cats. Their music takes us through a range of human emotion, from melancholy and sorrow to joy and rapture…[they focus] all their energy on a breathless synergy of sounds…culminating in an intensity rarely found in acoustic music.”

Matt Zeigler, Flagstaff Live (Flagstaff, AZ), Published Oct. 21, 2002, from Taarka Grooves: Take a trip through world music feature article

 

“The compositions on “Man Chasing Woman [Around Table]”…are as beautiful, daring, and strange as should be expected from such immense talent…Highest recommendation possible.”

Aaron Shakra, Oregon Daily Emerald (Eugene, OR), Published Apr. 3, 2003, from Musical Talent, Emotions Abound on “Chasing” feature, Review of Man Chasing Woman Around Table (2003)

 

“Fans of Bela Fleck will enjoy the masterful playing and eclectic compositions this first effort [Taarka Live in the Studio (2002)].”

Greg Keidan, Jambase.com, Published Oct. 16, 2002, fromTaarka: Seismic Gypsy Hypno-Jazz feature

“Taarka began driving the painted and costumed crowd into a dancing frenzy…they combined Roma, Klezmer and jazz, infusing their rousing and exciting tunes with breakneck Zappa-esque breakdowns and insurmountable gusto. Regardless of your particular musical tastes, Taarka is a band that simply must be witnessed.”

Maurice S. Teilman, Synthesis (Chico, CA), from Music section, Review of July 10, 2004 performance at Oregon Country Fair

 

“Taarka is like a drunken cross-cultural wedding party where the bride’s family is a bunch of bluegrass-loving back-to-the-landers and the groom’s crew is composed mostly of vodka-swilling Ukrainian bandits. Good times, people, good times.”

Zack Dundas, Willamette Week (Portland, OR), Published May 7, 2003, from Music and Nightlife weekly picks

 

“Col. Bruce Hampton was one of the many new fans the band gained at the High Sierra Festival – I heard him say they were the best band at the fest (excluding, I assumed, the Code Talkers).”

Greg Keidan, Jambase.com, Published Oct. 16, 2002, , from Taarka: Seismic Gypsy Hypno-Jazz feature

“The band was able to manipulate their sound across a spectrum, ranging from Celtic Honky-Tonk, to a a sort of Calypso-Klezmer, to tango, to Turkish folk music and then back to a bluegrassy jazz reminiscent of Bela Fleck & The Flecktones…pure instrumental talent.”

Coby Zeifman, West Coast Performer Magazine (OR, WA, CA), Published Jan. 2006, from West Coast Performer Live Reviews feature, Review of Dec 2, 2005 performance at the W.O.W. Hall (w/ Drew Emmitt Band)

“Taarka shows that instrumental music isn’t just about technique. Even Odd Bird has the depth to transport the listener to extraordinary landscapes…”

Erika Fredrickson, The Missoula Independent (Missoula, MT), Published on April 20, 2006, Noise CD Reviews, Review of Even Odd Bird (2004)

 

“These spellbinding significant others will sizzle you with a stringed jig.”

Nicole Browner, The California Aggie (Davis, CA), Published July 12, 2007, from Artsweek section

 

“…in Taarka their [David Tiller and Enion Pelta-Tiller] compositional genius shines across the grandiose sheath of the American musical landscape…Their performances are fit for the main stage at High Sierra as well as orchestral centers worldwide, including Carnegie Hall.”

Marc Tonglen, The Mountain Ear (Nederland, CO), Published Oct. 25, 2007, from The Taarka Duo: Fresh and Beyond Compare feature article in Mountain Music section

 

 “Imagine a collision of Django Reinhardt and David Grisman…and you’ll get the idea.”

Silke Tudor, SF Weekly, San Francisco, CA, Published Jan. 14, 2004, From House of Tudor weekly picks

 

“Basically, Taarka’s music is as apt to mesmerize as it is to prompt dancefloor-wrecking boogieing.”

The Source Weekly (Bend, OR), Published Sept. 8, 2005, from Our Picks Pick of the Week

 

“On their newest studio release, Even Odd Bird, Taarka continues to  refine and flesh out their twisting compositional music, introducing funk to traditional music from the east. The word for this goes way beyond fusion. If they didn’t know what they were doing, this kind of play could get dangerous…but rest assured ladies and gents, the music is in the hands of ascending masters”

 

Jodie Buller, The Northwest Sun (Bellingham, WA), Published Mar. 18, 2004, from TAARKA feature article and interview

 

 

schedule / merchandise / bios / photos / links / contact us / listen / whats in a name?